#SPECTRALAYERS PRO TUTORIAL MANUAL#
For starters, the purpose and/or effect of the parameters isn’t always clear, and the product manual often doesn’t help.
#SPECTRALAYERS PRO TUTORIAL WINDOWS#
The only issue here is that the processor setup windows can be awkward to use. You can even break down an entire mixed recording into its constituent stems. The fabulously useful De-Bleed process is ideal for isolating multi-miked drums or individual instrument mics, and the existing Reverb Reduction tool has had an AI overhaul to make it much more effective at identifying and controlling room resonances and other unwanted ambience. There’s an Ambience Matching process that helps to make different recordings sound like they exist in the same acoustic space, as well as an EQ Matching tool which is a huge time-saver when matching the tonality of different takes and recordings. There are other new, improved AI-infused tools too. As a form of noise reduction, this is far more flexible than is conventional, and produces far fewer artefacts.
For example, a few different tools make use of the ability to recognise the human voice, either to extract a vocal from mixed music, or to isolate a spoken voice from unwanted background noise.
Some of these are based on conventional algorithms, but an increased number are now infused with AI technology, making them capable of some startling feats. SpectraLayers Pro 8 comes with a host of processing tools for common tasks like noise reduction and click repair. Many of the Pro edition’s tools and features, at a more attractive price. SpectraLayers Elements 8 (opens in new tab).With advanced audio correction and the ability to stack different processors, RX8 is a very popular spectral editor.
iZotope RX8 Standard (opens in new tab).When played back, all unmuted layers are combined into the final audible output you can also solo individual layers and adjust their volume level. Layering in SpectraLayers works much as it would in an image editor too: use the selection tools to define areas of the spectrogram you’re interested in, and then cut these to a new layer where they can be edited in isolation. For example, the Frequency selection tool automatically follows a varying frequency band as you drag the mouse across it, with the Harmonics selection tool working similarly but also selecting the harmonics of the main frequency you are selecting.
There are a number of intelligent tools that hugely speed up the spectral editing processĪlongside tools for creating simple rectangular, oval, point-to-point and freehand selections, there are a number of intelligent tools that hugely speed up the spectral editing process. Here the hum will be clearly visible as a bright, solid horizontal band running near the bottom of the spectrogram, and to remove it all you need do is draw a selection marquee around that band and hit delete, leaving all other frequencies unaffected. You could use a high-pass filter to remove it, along with all other frequencies below the filter’s cutoff, or you could open it in SpectraLayers. You can then work with these selections independently, without impacting on the rest of the sound.įor example, let’s say you had a recording that was marred by a nasty earth hum. These tools work very similarly to how they would in an image editor too, only instead of being used to select specific areas of a picture, SpectraLayers’ tools allow you to select specific time ranges of frequencies on a spectrogram. Steinberg SpectraLayers Pro 8: Performance and verdictĭespite being an audio editor, SpectraLayers borrows many concepts from the world of digital image editing, such as marquee selection tools, non-continuous selections and, of course, layers.
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